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Over the course of three days, the Making Their Mark Foundation presented the Making Their Mark Forum, a first-of-its-kind international gathering in Washington, D.C., to celebrate the achievements of women artists, advance gender equity in the arts, and inspire action to effect lasting change. Timed to coincide with Women’s History Month and the Foundation’s landmark exhibition Making Their Mark: Works from the Shah Garg Collection at the National Museum of Women in the Arts (NMWA), this event brought together over 350 leading cultural figures, artists, and professionals for a series of panel discussions, keynotes, poetry readings, and performances spread across the three days.
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Anonymous Was A Woman Symposium
Highlights and Takeaways from the Anonymous Was A Woman Symposium
On Wednesday April 9th, more than 300 people filled an auditorium at New York University to hear about the findings of a new survey commissioned by Anonymous Was A Woman and compiled by reporter-researchers Julia Halperin and Charlotte Burns in conjunction with SMU Data Arts. The symposium was followed by roundtable discussion on the survey and symposium attended by 40 invited women professionals in the arts. At the end of it all, they anonymously answered two questions: What have you learned? What can you do? ARTnews has created a video with key highlights from the symposium and compiled some key takeaways from the anonymous responses.
Anonymous
Was A
Woman
The Artists Speak Report, commissioned by Anonymous Was A Woman, and written by journalists Charlotte Burns, Julia Halperin, and SMU Data Arts, synthesizes the responses to the Anonymous Was A Woman Artist Survey, a landmark study that AWAW undertook last fall to gain a better understanding of women artists’ lives and careers, and the factors contributing to their successes and challenges. The survey was produced in collaboration with Burns, Halperin, SMU, and arts leader Loring Randolph. The resulting report, synthesizes the responses of over 1200 artists of all ages. The report and data visualizations are made by Nehema Kariuki.
AWAW commissioned this information to identify areas where more support is needed, with the goal of using it to influence other decision-makers, like other funders, museum board members, and gallerists. Finally, we hope that artists can use this information for self-directed labor organizing and activist efforts.
Anonymous Was A Woman
The
Nasher
Haemisegger
Collection
In 2025, Nasher Sculpture Center celebrated numerous recent acquisitions from individuals and foundations, including works from a major gift of 36 artworks from Nancy A. Nasher and David J. Haemisegger, marking one of the largest gifts from a private family since the museum was founded, continuing the generosity and insight of Raymond and Patsy Nasher. A selection of works from these acquisitions were on view in the May 2025 exhibition, Generations: 150 Years of Sculpture.
Loring currently serves as the Director of the Nancy A. Nasher and David J. Haemisegger Collection, which includes artworks on public view at NorthPark Center, Dallas TX, a top 20 public shopping center in the USA.
Project
2021-current
Dallas
Talking
Galleries
2024
With an impressive lineup of nearly 40 leaders from the international art scene, Talking Galleries New York 2024 provided a comprehensive analysis of the issues facing the art world today, extending our exploration beyond art market and gallery practices.
This year, the program discussions will expand to cover the evolving landscape of art institutions and museums, analyze market trends, navigate the impact of AI in the arts, among other key topics shaping the future of the art world.
Project
2024
Symposium, New York
Frieze
New York
Frieze New York
From 2017 to May of 2021, Loring served as a Director of the International Art Fair organization, Frieze Inc., where she led Frieze New York and public art programming in New York City. In 2021, the fair left its former home on Randalls Island for The Shed.
Project
2017-2022
Frieze, New York
Talking
Galleries
Loring delivers opening remarks.