Frasier here uses works from across her practice to build a pantheon of monuments to the vital histories, and future stories, of workers, women, and communities of color.

Dame Magdalene Odundo’s works, installed in captivating dialogue with the historical trimmings of Houghton Hall, bring a layer of complicating depth that revives the space and demands visitors take a closer look at the histories from which it is built.

MoMA’s Crafting Modernity: Design in Latin America, 1940–1980 investigates the home as a grounds for experimentation in Latin America from 1940 to the 1980’s. The objects displayed explore varying approaches to design in the midst of seismic social change.